REPRINT SERIES The full title of this late piece by Villa-Lobos (1887-1959) is Fantasia Concertante for Orchestra of Violoncellos. Composed in 1958, it was recorded in the same year in NYC on November 30, 1958. Villa-Lobos conducted the Violoncello...

Poulenc's cantata Le Bal Masqué (for Baritone or Mezzo-Soprano and Chamber Orchestra) is written to texts by the poet Max Jacob, whose work can be seen as closely approaching surrealism; it dates from 1932. The instrumentation is strongly...

REPRINT SERIES Concerto in E-flat, inscribed Dumbarton Oaks, 8.v.38 (1937–38) is a chamber concerto by Igor Stravinsky, named for the Dumbarton Oaks estate of Robert Woods Bliss and Mildred Barnes Bliss in Washington, D.C., who commissioned it for...

La Création du monde, Op. 81a, is a 15-minute-long ballet composed by Darius Milhaud in 1922–23 to a libretto by Blaise Cendrars, which outlines the creation of the world based on African folk mythology. The premiere took place on 25 October...

One of Milhaud's most well known pieces is 'Scaramouche'. Original written as a Suite for two pianos but later transcribed by the composer for Alto Saxophone and Orchestra. The original conception for the Scaramouche suite was for piano duo, and Milhaud...

REPRINT SERIES The Symphonies of Wind Instruments (French title: Symphonies d'instruments à vent) is a concert work written by Igor Stravinsky in 1920, for an ensemble of woodwind and brass instruments. The piece is in one movement, lasting about...

8 miniatures: I. Andantino = 76 II. Vivace = 126 (orig. No.7) attacca III. Lento = 63 (orig. No.6) IV. Allegretto = 126 (orig. No.3) V. Moderato alla breve = 84-88 (orig. No.5) VI. Tempo di Marcia [no marks] (orig. No.2) VII. Larghetto = 68-69 (orig. No...

In 1919 the premiere of Le Bestiaire on poems by Guillaume Apollinaire (with Suzanne Peignot, friend and first interpreter of the composer’s mélodies). 6 movements: I. Le dromadaire II. Le chèvre du Thibet III. La sauterelle IV...

REPRINT SERIES About half of Praeludium was composed in Paris, the remainder having been worked out during one of Stravinsky's trips to the United States in early 1937. With a work as concise and polished as this one, however, it is difficult to discern...

Perhaps one of Finzi's finest compositions, this pacifist masterpiece is all too rarely performed. The beautiful music, scored for tenor and small orchestra, was composed over a span of about 20 years from the 1920s to 1944, as memories and realities...

REPRINT SERIES First published as Op. 19, No. 2 (one of a set of four piano pieces), it was used as incidental music for a play in 1922, and eventually arranged by the composer for organ and orchestra. Cortège consists simply of an opening...

The Interlude for oboe and strings was composed during the mid 1930s, originally for string quartet; later Finzi created an expanded instrumentation for string orchestra as an alternative. It is a 13-minute work of considerable substance,...

REPRINT SERIES Ionisation (1929–1931) is a musical composition by Edgard Varèse written for thirteen percussionists. It was among the first concert hall compositions for percussion ensemble alone, although Alexander Tcherepnin had composed...

REPRINT SERIES The contrapuntal textures used by Hindemith throughout the symphony highlight many instruments individually. This writing takes advantage of the vast color palette that this combination of instruments offers. The Symphony is scored...

REPRINT SERIES  Kurt Weill: Concerto for Violin and Wind Orchestra Op.12 The scoring, for an orchestra of winds with prominent percussion, suggests the brilliant, biting sonorities of Weill’s theater music. It was dedicated to the violinist...

Concerto da camera (H 196) is a concerto in three movements for the unusual combination of flute, English horn, and string orchestra written by Arthur Honegger late in his career in 1948. Honegger described the movements as such: "The first part is based...

EDITION ZEZA REPRINT SERIESBartók divides the strings into two groups which he directs should be placed antiphonally on opposite sides of the stage, and he makes use of antiphonal effects particularly in the second and fourth movements.The piece...