Bruno Maderna’s Violin Concerto, was composed in 1969 and premiered at the XXXII International Contemporary Music Festival in Venice on 12 September 1969, with Theo Olof as soloist and Maderna himself conducting. Maderna’s orchestration is...

The Canzone a tre cori by Giovanni Gabrieli, originally composed in the early 17th century for three spatially separated choirs of instruments, was reimagined by Bruno Maderna in 1958. Maderna’s revision retains Gabrieli’s polychoral...

Bruno Maderna’s Concerto per 2 pianoforti e strumenti is a mid-twentieth-century work composed for two pianos alongside a chamber ensemble of various instruments. The piece reflects Maderna’s interest in exploring new textures and forms,...

Bruno Maderna's "Composizione in tre tempi," composed in 1954, exemplifies his innovative approach to orchestral composition in the mid-20th century. Structured in three movements—"Allegro scorrevole," "Adagio," and "Allegro"—the piece...

Bruno Maderna's Introduzione e Passacaglia is a striking orchestral work that showcases his deep engagement with serial techniques and expressive freedom. Composed in 1953, the piece reflects Maderna’s affinity for both rigorous structural...

Bruno Maderna's edition and revision of Antonio Vivaldi's Beatus Vir represents a compelling intersection of Baroque sensibilities and 20th-century musicological insight. Vivaldi's original composition, a grand psalm setting for choir, soloists, and...