God is gone up is the second of his three opus 27 anthems. It was written in 1951 for a St Cecilia's Day Service at St Sepulchre's Church in Holborn. This well-written anthem of praise, which, like Bairstow's works, stretches the organ's resources,...

REPRINT SERIES With its evocative pastoral opening, A Severn Rhapsody which was clearly written under thrall of George Butterworth’s A Shropshire Lad and Bridge’s Summer. Blue skies, birdsong, sunny fields, cool coppices and shaded brooks...

Finzi wrote incidental music for a BBC broadcast of the Shakespeare's play in 1946, reworked it for a special stage presentation in 1952, and finally extracted a 10-number suite for small orchestra. The  most important of these, in Finzi's view, are...

Lo, the full, final sacrifice (Op. 26) is a festival anthem for SATB choir and organ, composed by Gerald Finzi in 1946. The work was commissioned by the Revd Walter Hussey for the 53rd anniversary of the consecration of St Matthew's Church, Northampton...

Intimations of Immortality, Op. 29, an ode for tenor, chorus, and orchestra, is one of the best-known works by English composer Gerald Finzi. It is a setting of nine of the eleven stanzas (all but the seventh and eighth) of William Wordsworth's "Ode:...

For St. Cecilia (subtitled “Ceremonial Ode”) was commissioned by the St. Cecilia’s Day Festival Committee and premiered in the Royal Albert Hall on 22 November 1947, St. Cecilia’s Day (Cecilian works by Purcell and Handel were...

The accompaniment of this piece exists in two versions:A version - for strings, harp (or piano) and cymbals, which is intended for performance with a small chorus. B version - for full orchestra (instrumentation as listed above) which is the version...

REPRINT SERIES Dies Natalis is a cantata for solo voice and string orchestra. The opening introductory orchestral movement is followed by four movements for accompanied voice in which Finzi set mystical texts by the seventeenth-century English poet...

Perhaps one of Finzi's finest compositions, this pacifist masterpiece is all too rarely performed. The beautiful music, scored for tenor and small orchestra, was composed over a span of about 20 years from the 1920s to 1944, as memories and realities...

Highly passionate in character and rich in its melodic invention, Finzi’s writing here is characteristically open-hearted and approachable. From the stillness of the opening, the music unfolds, reaching a peak of intensity before returning to its...

Finzi, who constantly revised his own work, could not bring himself to rest contentedly with the outer movements of his Violin Concerto. However, the central section became established during the composer’s lifetime as a piece in its own right. It...

REPRINT SERIES Finzi's Prelude for String Orchestra Op.25, was originally conceived in the 1920s as the opening movement of a (subsequently uncompleted) chamber symphony, to be entitled The Bud, the Blossom and the Berry, the Prelude nevertheless stands...

The last phase of Finzi’s output following the 2nd World War saw a series of larger scale works culminating in the completion of the Cello Concerto, the work which dominated his final year and was first broadcast on the night before his death in...

The Interlude for oboe and strings was composed during the mid 1930s, originally for string quartet; later Finzi created an expanded instrumentation for string orchestra as an alternative. It is a 13-minute work of considerable substance,...

The Clarinet Concerto, Finzi’s most widely performed and recorded orchestral work, shows his particular empathy for this solo instrument. Here the clarinet’s equal facility for sustained legato melody and rapid virtuosic figuration is...