Stylistically, La Gitana captures a flamenco-tinged character through its sinuous, modal-inflected theme and rhythmic accents. The solo violin’s gypsy-style trills, double-stops, and portamenti sit atop transparent orchestral textures, balancing...

REPRINT SERIES  Drawing on Norwegian folk tunes, the piece opens with a lyrical, modal passage that transitions into an Allegretto featuring virtuoso figuration—double-stops, rapid string crossings and expressive portamento. Lalo balances the...

Waxman's "Humoresque" for Violin and Orchestra is a dazzling and emotionally rich piece that exemplifies the virtuosity and expressive potential of the violin. Composed by Franz Waxman in 1947, this work was originally part of the score for the film...

Fritz Kreisler's Tambourin Chinois, Op. 3, is a virtuosic showpiece for violin and orchestra that encapsulates exoticism, playfulness, and technical brilliance. Composed in 1910, the piece reflects the Western fascination with Asian culture prevalent at...

 Luigi Dallapiccola was spurred to write his Tartiniana seconda, for violin accompanied by either piano or orchestra, by violinist Sandro Materassi; hoping for a sequel to Dallapiccola's well-received first Tartiniana, Materassi came to him with...

 Carmen Fantasie is a virtuoso showpiece for violin and orchestra. The piece is part of Franz Waxman's score to the 1946 movie Humoresque for which he received an Academy Award nomination for Best Music, Scoring of a Dramatic or Comedy Picture. The...

REPRINT SERIES Igor Stravinsky's Violin Concerto in D is a neoclassical violin concerto in four movements, composed in the summer of 1931 and premiered on October 23, 1931. It lasts approximately twenty minutes.  It was used by George Balanchine as...

Finzi, who constantly revised his own work, could not bring himself to rest contentedly with the outer movements of his Violin Concerto. However, the central section became established during the composer’s lifetime as a piece in its own right. It...

The Poema Autunnale of 1925 was written for Mario Corti and dedicated to him. Once again Respighi ventured into Lark Ascending territory, as much of the writing was modal, creating the desired archaic atmosphere, and double-stops were much used for...

REPRINT SERIES Considered one of the first modern violin concertos, it rejects traditional tonality and romantic aesthetics. The work is dedicated to the violinist Pavel Kochański. This work is the first modern violin concerto – the first to...

Fritz Kreisler's Liebesleid (Love's Sorrow) is one of his most beloved compositions, originally written for violin and piano and later arranged for violin and orchestra. A poignant reflection on lost love, the piece is imbued with a bittersweet lyricism...

REPRINT SERIES The Violin Concerto No.1 is a pivotal work, one which displays a maturation of the composer. If one compares this Concerto to Prokofiev's earlier piano concertos, it is easy to see that the former is decidedly more natural in its thematic...

REPRINT SERIES The First Rhapsody is dedicated to Hungarian virtuoso violinist Joseph Szigeti, a close friend of Bartok. Bartók evidently composed both rhapsodies purely as a personal gesture, rather than on commission, and did so without telling...

Score and Set of Parts (String count 4.4.3.3.2) This work is clearly an homage to Bach, specifically to his Concerto for Two Violins in D Minor, a composition Vaughan Williams deeply loved and admired. The concerto is cast in three movements, with the...

This concerto was dedicated to the Hungarian violin virtuoso, Zoltán Székely, who requested the composition in 1936,[1] and is a prime example of verbunkos style. Bartók initially planned to write a single-movement set of...

EDITION ZEZA REPRINT SERIES Béla Bartók's Violin Concerto No. 1, BB 48a was written in the years 1907–1908. The concerto was dedicated to the violinist Stefi Geyer, with whom Bartók was in love. Geyer could not reciprocate...

The concerto was dedicated to Alma Mahler, the widow of Korngold's childhood mentor Gustav Mahler. It was premiered on 15 February 1947 by Jascha Heifetz and the St. Louis Symphony under conductor Vladimir Golschmann. Three Movements:   1...