Dona nobis pacem (English: Grant us peace) is a cantata written by Ralph Vaughan Williams in 1936 and first performed on 2 October of that year. The work was commissioned to mark the centenary of the Huddersfield Choral Society. Vaughan Williams produced...

REPRINT SERIES Composed during the Second World War (most of it at a Budapest monastery) and completed in 1944, Missa Brevis was first performed in 1945, just after the end of the war, at the Budapest Opera House (where Kodály and his wife had...

Renard: histoire burlesque chantée et jouée, or The Fox: burlesque tale sung and played, is a chamber opera-ballet for four male voices and 16 instrumentalists written in 1916 by Igor Stravinsky. Its original Russian text, by the composer,...

Milhaud’s Service sacré  for baritone (cantor), narrator, mixed chorus and organ or orchestra is one of the few authentic masterpieces of twentieth century liturgical music. Composed in 1947 for San Francisco’s Temple Emanu-El, it...

Finzi wrote incidental music for a BBC broadcast of the Shakespeare's play in 1946, reworked it for a special stage presentation in 1952, and finally extracted a 10-number suite for small orchestra. The  most important of these, in Finzi's view, are...

Lo, the full, final sacrifice (Op. 26) is a festival anthem for SATB choir and organ, composed by Gerald Finzi in 1946. The work was commissioned by the Revd Walter Hussey for the 53rd anniversary of the consecration of St Matthew's Church, Northampton...

REPRINT SERIES Two short poems by the Russian symbolist poet Konstantin Balmont are set here. In both songs can be heard the combination of ‘diatonic’ and ‘octatonic’ procedures typical of Stravinsky at this time, which he...

La voix humaine (English: The Human Voice) is a forty-minute, one-act opera for soprano and orchestra composed by Francis Poulenc in 1958. The work is based on the play of the same name by Jean Cocteau, who, along with French soprano Denise Duval, worked...

Intimations of Immortality, Op. 29, an ode for tenor, chorus, and orchestra, is one of the best-known works by English composer Gerald Finzi. It is a setting of nine of the eleven stanzas (all but the seventh and eighth) of William Wordsworth's "Ode:...

REPRINT SERIES La dame de Monte-Carlo, dedicated to Duval, a ‘monologue for soprano and orchestra’, is often performed with piano, and with which Poulenc significantly concludes his Journal de mes Mélodies. The poem is taken from Jean...

REPRINT SERIES Pulcinella is a 21-section ballet by Igor Stravinsky with arias for soprano, tenor and bass vocal soloists, and two sung trios. It is based on the 18th-century play Quatre Polichinelles semblables, or Four similar Pulcinellas, revolving...

The Quatre poèmes de Max Jacob, composed in 1921, show Poulenc at his most avant-garde. To the already edgy ensemble of flute, oboe, clarinet, bassoon and trumpet Poulenc adds lines of dissonant counterpoint punctuated by knotty chords, to the...

Vocal Roles: Orphée, un rebouteux – Tenor Eurydice, une bohémienne – Soprano Chœurs des Métiers : Le Charron, Le Maréchal, Le Vannier Chœurs des Animaux : L’Ours, Le Loup, Le Renard, Le Sanglier...

REPRINT SERIES Perséphone (Persephone) is a musical work (mélodrame) for female narrator, tenor solo, mixed chorus, children's chorus, dancers and orchestra with music by Igor Stravinsky and a libretto by André Gide.It was first...

REPRINT SERIES Tilimbom is the first movement of "3 Histoires pour Enfants" by Igor Stravinsky. First published for medium voice and piano, the composer later orchestrated it for Voice and Orchestra in 1954.

REPRINT SERIES Seven, They Are Seven (Russian: Семеро их) (op. 30) is a cantata by Sergei Prokofiev composed in 1917 for large orchestra, chorus, and dramatic tenor soloist. It was composed in Yessentuki and Kislovodsk, and the words are taken from the...

For St. Cecilia (subtitled “Ceremonial Ode”) was commissioned by the St. Cecilia’s Day Festival Committee and premiered in the Royal Albert Hall on 22 November 1947, St. Cecilia’s Day (Cecilian works by Purcell and Handel were...

Poulenc's cantata Le Bal Masqué (for Baritone or Mezzo-Soprano and Chamber Orchestra) is written to texts by the poet Max Jacob, whose work can be seen as closely approaching surrealism; it dates from 1932. The instrumentation is strongly...