Arthur Bliss’s Pastoral: Lie Strewn the White Flocks, F.33, composed in 1928, is a choral-orchestral work lasting approximately 35 minutes. It is scored for SATB chorus, mezzo-soprano soloist, flute, timpani, and strings. The piece sets a sequence...

Darius Milhaud's Agamemnon Op. 14 is an early dramatic work that engages with themes drawn from Greek tragedy. The piece reflects Milhaud’s initial exploration of modern compositional techniques, employing polytonal harmonies and clear rhythmic...

Dallapiccola’s Sex Carmina Alcaei is a vocal work that applies his mature serial techniques to a careful setting of poetic texts. The composition uses a meticulously structured tone row to shape both its melodic and harmonic material, resulting in...

Gerald Finzi’s orchestral setting of the Magnificat presents a measured, introspective interpretation of the biblical text, rendered through clear and refined orchestration. Unlike the more familiar organ version, this arrangement highlights the...

Jean Sibelius composed the incidental music for Shakespeare's "The Tempest," Op. 109, between 1925 and 1926, marking one of his final major works before his retreat from public composition. Commissioned for a production at Copenhagen's Royal Theatre, the...

REPRINT SERIES Ralph Vaughan Williams’ In Windsor Forest is a five-movement cantata for SATB choir and orchestra (or piano and strings), adapted from his opera Sir John in Love. Based on Shakespeare’s The Merry Wives of Windsor, the work...

Stravinsky's Les Noces (1923) is presented here in our new 2025 Revised Edition. This groundbreaking ballet-cantata that captures the raw energy and ritualistic intensity of a Russian peasant wedding. Scored for four pianos, percussion, vocal soloists,...

REPRINT SERIES Poulenc’s "Stabat Mater" (FP 148), composed in 1950, is a powerful and emotional choral work set to the traditional Latin hymn, "Stabat Mater Dolorosa." The piece was written in the aftermath of World War II, and its deeply...

REPRINT SERIES  Ravel's L'Aurore (The Dawn), composed in 1905, is a choral work for tenor, mixed chorus, and orchestra, originally created as part of his bid for the prestigious Prix de Rome. Set to a French text by Édouard Guinand, the...

REPRINT SERIES  On Wenlock Edge is a song cycle originally composed for tenor, piano, and string quartet in 1909, which Vaughan Williams later orchestrated for tenor and full orchestra. Based on six poems from A. E. Housman’s A Shropshire...

Gerald Finzi’s orchestration of Let Us Garlands Bring, Op. 18, enhances the song cycle’s lyrical beauty with a richer, more expansive texture. Originally composed for baritone and piano, Finzi later arranged it for baritone and string...

Gerald Finzi’s Let Us Now Praise Famous Men, Op. 35, is a choral work composed in 1950 for a two-part chorus and chamber orchestra. The text is taken from the biblical book Ecclesiasticus (Sirach 44), a passage that honors great figures from...

Richard Strauss's Four Last Songs, composed in 1948, represents the culmination of the composer’s career and a profound reflection on life and mortality. Scored for soprano and orchestra, these four songs—Frühling (Spring), September,...

REPRINT SERIES   Ralph Vaughan Williams' Magnificat, composed in 1932, is a fascinating and unconventional setting of the biblical text traditionally associated with the Virgin Mary's song of praise. Unlike many settings of the Magnificat, which...

Luigi Dallapiccola’s Commiato (1972) is a masterful example of the composer’s late style, blending his deep engagement with serial techniques and his fascination with literary expression. Scored for soprano and a chamber ensemble of 15...

Following the composition of Five Mystical Songs in 1911, Vaughan Williams began to compose a smaller scale piece, which was completed in 1914. However, World War I delayed the presentation of the song cycle until 1920. In setting the four hymns to...

REPRINT SERIES  Though not readily associated with Anglican church music (despite being fully aware of its repertoire), Elgar composed two major extended anthems. The first—Great is the Lord, Op 67, a substantial multi-sectional work, begun...

Five Tudor Portraits (1935), by Ralph Vaughan Williams, is a work scored for contralto (or mezzo-soprano), baritone, mixed chorus and orchestra. It sets several poems, or extracts from poems, by the 15th/16th-century poet John Skelton, portraying five...