Darius Milhaud’s Les Cloches, Op. 259 (“The Bells”), dates from 1946 and is a six‑movement symphonic suite adapted from his lost ballet after Edgar Allan Poe’s poem. The movements—Ouverture: Animé; Cloches...

Darius Milhaud's Agamemnon Op. 14 is an early dramatic work that engages with themes drawn from Greek tragedy. The piece reflects Milhaud’s initial exploration of modern compositional techniques, employing polytonal harmonies and clear rhythmic...

Darius Milhaud's Cinéma-Fantaisie sur "Le Bœuf sur le toit", Op. 58b, is a vibrant and playful work for violin and orchestra, adapted from his earlier ballet Le Bœuf sur le toit , available here. This version maintains the...

Milhaud’s Service sacré  for baritone (cantor), narrator, mixed chorus and organ or orchestra is one of the few authentic masterpieces of twentieth century liturgical music. Composed in 1947 for San Francisco’s Temple Emanu-El, it...

Composed in 1934, the Cello Concerto No.1 is not only the frist composition for cello by Milhaud, but also the most popular. It was dedicaated to Maurice Maréchal, who premiered it in Paris on June 28th 1935. This concerto was one of Grégor...

One of Milhaud's most well known pieces is 'Scaramouche'. Original written as a Suite for two pianos but later transcribed by the composer for Alto Saxophone and Orchestra. The original conception for the Scaramouche suite was for piano duo, and Milhaud...

Le Bœuf sur le toit (literally "the ox on the roof"), Op. 58 is a short piece for small orchestra by the composer Darius Milhaud, written in 1919–20. Milhaud conceived the piece as incidental music for any one of the comic silent films of...