Respighi’s La bella dormente nel bosco is a “musical fairy tale” in three acts, originally composed in 1921 for Vittorio Podrecca’s Teatro dei Piccoli puppet theatre and later substantially revised in 1933 for full theatrical...

REPRINT SERIES  Francesca da Rimini, Op. 25, is a “symphonic opera” in a prologue, two tableaux and an epilogue by Sergei Rachmaninoff to a Russian libretto by Modest Ilyich Tchaikovsky, based on the episode in Dante’s Inferno...

REPRINT SERIES Maurice Ravel’s L’Heure espagnole, M. 52, is a one-act “comédie musicale” with a French libretto by Franc-Nohain, based on his own 1904 play. Ravel began work on the music in 1907, and the opera received its...

Jean Sibelius composed the incidental music for Shakespeare's "The Tempest," Op. 109, between 1925 and 1926, marking one of his final major works before his retreat from public composition. Commissioned for a production at Copenhagen's Royal Theatre, the...

REPRINT SERIES Poulenc’s "Stabat Mater" (FP 148), composed in 1950, is a powerful and emotional choral work set to the traditional Latin hymn, "Stabat Mater Dolorosa." The piece was written in the aftermath of World War II, and its deeply...

Five Tudor Portraits (1935), by Ralph Vaughan Williams, is a work scored for contralto (or mezzo-soprano), baritone, mixed chorus and orchestra. It sets several poems, or extracts from poems, by the 15th/16th-century poet John Skelton, portraying five...

Dona nobis pacem (English: Grant us peace) is a cantata written by Ralph Vaughan Williams in 1936 and first performed on 2 October of that year. The work was commissioned to mark the centenary of the Huddersfield Choral Society. Vaughan Williams produced...

REPRINT SERIES Seven, They Are Seven (Russian: Семеро их) (op. 30) is a cantata by Sergei Prokofiev composed in 1917 for large orchestra, chorus, and dramatic tenor soloist. It was composed in Yessentuki and Kislovodsk, and the words are taken from the...