Fritz Kreisler's Tambourin Chinois, Op. 3, is a virtuosic showpiece for violin and orchestra that encapsulates exoticism, playfulness, and technical brilliance. Composed in 1910, the piece reflects the Western fascination with Asian culture prevalent at...

REPRINT SERIES  The Piano Concerto was written in 1949 for the Fryderyk Chopin Competition organised by the Polish Composers’ Union to mark the 100th anniversary of the Polish genius’ death. However, it is no use looking for any...

 Luigi Dallapiccola was spurred to write his Tartiniana seconda, for violin accompanied by either piano or orchestra, by violinist Sandro Materassi; hoping for a sequel to Dallapiccola's well-received first Tartiniana, Materassi came to him with...

REPRINT SERIES British oboist Léon Goossens (1897-1988) is credited with reestablishing the oboe as a solo instrument and elevating its status after it fell out of favor in the nineteenth century. Romantic composers preferred the facility and...

REPRINT SERIES This exceptional triple concerto was utterly lost and forgotten for 30 years when its posthumous premiere revealed it as a missing masterpiece by one of the most individual and important composers of the twentieth century. Its style is...

In 1955, Heitor Villa-Lobos was commissioned by John Sebastian to write a harmonica concerto, and the piece was premiered in in Jerusalem on October 27, 1959, a month before Villa's death. Villa-Lobos was one of a number of eminent composers...

The concerto was premiered on 26 November 1938 in Moscow by the USSR State Symphony Orchestra. Alexander Melik-Pashayev was the conductor and Lev Berezovsky played the cello.The premiere of Prokofiev's Cello Concerto (Op. 58) was generally thought to...

REPRINT SERIES In 1950, the Musical Arts Society of La Jolla, California, commissioned a work from Martinu that turned out to be his farewell to neoclassicism. The Musical Arts Society had requested a ‘tuneful and approachable’ orchestral...

Flos Campi: Suite for Solo Viola, Small Chorus, and Small Orchestra is a composition by the English composer Ralph Vaughan Williams, completed in 1925. Its title is Latin for "flower of the field." It is neither a concerto nor a choral piece, although it...

REPRINT SERIES La dame de Monte-Carlo, dedicated to Duval, a ‘monologue for soprano and orchestra’, is often performed with piano, and with which Poulenc significantly concludes his Journal de mes Mélodies. The poem is taken from Jean...

REPRINT SERIES Pulcinella is a 21-section ballet by Igor Stravinsky with arias for soprano, tenor and bass vocal soloists, and two sung trios. It is based on the 18th-century play Quatre Polichinelles semblables, or Four similar Pulcinellas, revolving...

Darius Milhaud: Concerto for Flute, Violin and Orchestra Op.197, also known as Concerto pour flûte, violon & orchestre.

REPRINT SERIES The Six Humoresques, Opp. 87 and 89, are concertante compositions for violin and orchestra written from 1917 to 1918 by the Finnish composer Jean Sibelius. Despite spanning two opus numbers (due to publishing technicalities), the...

REPRINT SERIES Respighi's "Toccata" for Piano and Orchestra is in effect a continuous piano concerto, lasting about 25 minutes, that owes much to the composer's love of older Italian masters such as Vivaldi, Corelli and Marcello. The work has been...

A dazzling percussion concerto that requires advanced technique and musicality, from timpani to xylophone to small percussion instruments. This work is often taken up as a challenge for competitions.

Although Milhaud eventually lumped them together as if they constituted a single work, the four concertos that make up The Seasons are not really related to each other; they are individual pieces and should be listened to that way. The Concertino de...

REPRINT SERIES Composed in 1970 and performed the year after, Tomasi's Double Bass Concerto for Double Bass and Chamber Orchestra was dedicated to Pierre Hellouin.