Shostakovich’s Cello Concerto No. 1 in E-flat major, Op. 107, composed in 1959 for Mstislav Rostropovich, is one of the most significant cello concertos of the 20th century. The work is structured in four movements, played without pause, and...

Dmitri Shostakovich composed his Symphony No. 9 in E-flat major, Op. 70 in 1945, following the Soviet victory in World War II. Unlike the grand, triumphant symphony many expected, it is a light, neoclassical work with a modest orchestration. The...

Shostakovich’s Festive Overture in A Major, Op. 96 was composed in 1954 to celebrate the 37th anniversary of the October Revolution. Written in a remarkably short time, the piece opens with a bold brass fanfare before launching into a fast-paced,...

Arthur Bliss's Piano Concerto in B-flat major was composed in 1938–1939 and premiered at the 1939 New York World’s Fair by pianist Solomon with the New York Philharmonic under Sir Adrian Boult. Commissioned by the British Council, the...

Bruno Maderna's "Composizione in tre tempi," composed in 1954, exemplifies his innovative approach to orchestral composition in the mid-20th century. Structured in three movements—"Allegro scorrevole," "Adagio," and "Allegro"—the piece...

REPRINT SERIES Poulenc’s "Stabat Mater" (FP 148), composed in 1950, is a powerful and emotional choral work set to the traditional Latin hymn, "Stabat Mater Dolorosa." The piece was written in the aftermath of World War II, and its deeply...

REPRINT SERIES Bloch's Concerto Symphonique for Piano and Orchestra, composed in 1932, is a dramatic and ambitious work that blends elements of symphonic grandeur with the virtuosic demands of the piano. The concerto reflects Bloch’s deep...

Roberto Gerhard's Symphony No. 3, composed in 1960, is a striking example of his transition from late romanticism to more modernist, experimental approaches. The symphony was written during a period of personal and professional transformation for...

REPRINT SERIES Grażyna Bacewicz’s Concerto for Two Pianos and Orchestra (1966) is a vibrant and rhythmically dynamic work that blends neoclassicism with modernist elements. The two pianos engage in energetic interplay, sometimes cooperating and...

Stravinsky's "The Firebird" Suite (1919 version) stands as one of the most celebrated works in 20th-century classical music. This version is an orchestral suite derived from Stravinsky's original 1910 ballet score for Sergei Diaghilev's Ballets Russes...

Sibelius's Symphony No. 5 in E-flat major, Op. 82, was composed in 1915 and later revised in 1916 and 1919, reflecting the composer's continuous search for structural clarity and thematic cohesion. Commissioned for his 50th birthday celebrations, the...

Arthur Bliss's "Prologue and Five Dances" is a concert suite derived from his 1937 ballet Checkmate. The ballet itself is a dramatic allegory about a chess game where humanized chess pieces enact a tale of power, conflict, and tragic love. Bliss's music...

Kurt Atterberg's Symphony No. 2 in F major, Op. 6, composed in 1911-12, is a work that reflects his early maturity and connection to the Romantic tradition. It is scored for a standard late-Romantic orchestra and unfolds over three movements. The...

We proudly present the newly engraved and revised version of Dmitri Shostakovich's Piano Concerto No. 1 in C minor, Op. 35, composed in 1933, is a vibrant and unconventional work for piano, trumpet, and string orchestra. It represents a blend of wit,...

Bruno Maderna's edition and revision of Antonio Vivaldi's Beatus Vir represents a compelling intersection of Baroque sensibilities and 20th-century musicological insight. Vivaldi's original composition, a grand psalm setting for choir, soloists, and...

The Symphony in E minor is the first symphony written by the American composer Florence Price. The work was completed in 1932 and was Price's first full-scale orchestral composition and the first symphony by a Black woman to be performed by a major...

Partita is the work with which Dallapiccola first came to international recognition. Written in memory of the Italian pianist Ernesto Consolo, it is scored in four movements for orchestra, with a soprano solo in the final movement. In a manner analogous...

“To orchestrate is like a thumbprint. I can’t understand having someone else do it. It would be like someone putting color to your paintings.” Musically precocious, Bernard Herrmann (b. 1911, New York City; d.1975, North Hollywood)...