Gerald Finzi’s orchestration of Let Us Garlands Bring, Op. 18, enhances the song cycle’s lyrical beauty with a richer, more expansive texture. Originally composed for baritone and piano, Finzi later arranged it for baritone and string...

Stravinsky composed Ebony Concerto in 1945, blending elements of classical music and jazz in a unique and innovative way. The piece was commissioned by Woody Herman, a prominent American jazz clarinetist and bandleader, for his ensemble, the First Herd...

Stravinsky's Circus Polka for Orchestra, composed in 1942, was originally created for a ballet featuring elephants from the Ringling Bros. and Barnum & Bailey Circus. Commissioned by circus impresario George Balanchine, the piece humorously paired...

REPRINT SERIES Hugo Alfvén's "Vallflickans Dans" (The Shepherd’s Girl’s Dance) is one of the most celebrated excerpts from his ballet Bergakungen (The Mountain King), composed in 1916-1923. This orchestral piece captures the essence...

Stravinsky's Tango for Orchestra is a vivid re-imagining of his original 1940 piano composition, showcasing his signature neoclassical style within the framework of the popular Argentine dance. The piece retains the characteristic rhythm and melancholy...

Arthur Bliss's "Music for Strings" is a vibrant and expressive work composed in 1935, showcasing the composer’s mastery of string writing. The piece was commissioned for the 1935 Salzburg Festival and is structured in three movements: Prelude,...

REPRINT SERIES Alan Rawsthorne’s Divertimento for Chamber Orchestra (1962) is a lively and engaging work that showcases his knack for structure and imaginative orchestration. Comprised of three movements, the piece blends neoclassical clarity with...

Dmitri Shostakovich's "Tahiti-Trot," Op. 16, composed in 1927, is a delightful and whimsical orchestral suite that showcases the composer’s early satirical style. Written during a period when Shostakovich was navigating the complex political...

Waxman's "Humoresque" for Violin and Orchestra is a dazzling and emotionally rich piece that exemplifies the virtuosity and expressive potential of the violin. Composed by Franz Waxman in 1947, this work was originally part of the score for the film...

Dmitri Shostakovich’s Suite No. 1 for Jazz Orchestra, often referred to as the Jazz Suite No. 1, is a lighthearted and vibrant composition that blends classical sophistication with elements of jazz and popular music. Written in 1934, the suite was...

Ralph Vaughan Williams’ Five Variants of Dives and Lazarus is a poignant and richly textured work for string orchestra and harp, composed in 1939. Drawing from the English folk melody “Dives and Lazarus,” which narrates the biblical...

Fritz Kreisler's Tambourin Chinois, Op. 3, is a virtuosic showpiece for violin and orchestra that encapsulates exoticism, playfulness, and technical brilliance. Composed in 1910, the piece reflects the Western fascination with Asian culture prevalent at...

REPRINT SERIES Ottorino Respighi's Burlesca for Orchestra, P. 59, composed in 1906, is an exuberant and vibrant work that exemplifies the composer's early exploration of orchestral color and rhythm. Written during a period when Respighi was refining his...

REPRINT SERIES  Villa-Lobos own transcription from Bach's "The Well-Tempered Clavier" for Orchestra of Cellos. It includes the following movements: Prelude XXIIFugue VPrelude XIVFugue IPrelude XIIIFugue VIIIFugue XXI  

REPRINT SERIESProkofiev's Symphony No. 1 (1916-17) represents the composer's earliest mature effort in a genre he returned to time and again for the remainder of his career. Though the symphony received a warm reception in Russia and abroad -- and...

 Luigi Dallapiccola was spurred to write his Tartiniana seconda, for violin accompanied by either piano or orchestra, by violinist Sandro Materassi; hoping for a sequel to Dallapiccola's well-received first Tartiniana, Materassi came to him with...

God is gone up is the second of his three opus 27 anthems. It was written in 1951 for a St Cecilia's Day Service at St Sepulchre's Church in Holborn. This well-written anthem of praise, which, like Bairstow's works, stretches the organ's resources,...

REPRINT SERIES British oboist Léon Goossens (1897-1988) is credited with reestablishing the oboe as a solo instrument and elevating its status after it fell out of favor in the nineteenth century. Romantic composers preferred the facility and...