While Shostakovich wrote this piece as his graduation exercise from Maximilian Steinberg's composition class, some of the material may have dated from considerably earlier. The immediate parallel to the 19-year-old composer presenting his first symphony...

REPRINT SERIES Prokofiev's Symphony No. 4 is actually two works, both using material created for The Prodigal Son ballet. The first, Op. 47, was completed in 1930 and premiered that November; it lasts about 22 minutes. The second, Op. 112, is too...

It is fair to say that Szymanowski’s First Symphony (1906–07) was something of a reverse in his creative fortunes and is best regarded as a flawed if valiant attempt to write on a larger orchestral scale. The pre-eminent writer on...

Prokofiev extracted an orchestral suite from the On The Dnieper Op. 51, using six of its twelve movements. This Symphonic Suite is sometimes identified as Op.51a or Op.51bis depending on the catalog, but it's the same work. On the Dnieper (На Днепре),...

The soundtrack of the 1927 film Napoléon, directed by Abel Gance, was the first film soundtrack ever composed. Published in 1927, Honegger made a selection of movements from the soundtrack of the silent movie Napoléon, and presented it as a...

Sergei Prokofiev's Symphonic Song (Russian: Симфоническая песнь), Op. 57, was written in 1933. It's a work demonstrating Prokofiev's transition from Parisian modernism to Soviet lyricism. Prokofiev had described of it as "a serious piece of work, and I...

Milhaud’s Service sacré  for baritone (cantor), narrator, mixed chorus and organ or orchestra is one of the few authentic masterpieces of twentieth century liturgical music. Composed in 1947 for San Francisco’s Temple Emanu-El, it...

Described by Vaughan Williams as a "symphonic impression", it received its premiere under the conductor Thomas Beecham on 22 February 1909. The piece is meant to evoke feelings of traversing East Anglia's often bleak Fen landscape, illustrated by the...

REPRINT SERIES  Les biches is a one-act ballet to music by Francis Poulenc, choreographed by Bronislava Nijinska and premiered by the Ballets Russes on 6 January 1924 at the Salle Garnier in Monte Carlo. Nijinska danced the central role of the...

REPRINT SERIES Chôros No. 10 ("Rasga o Coração") is a work for chorus and orchestra written in 1926 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled...

REPRINT SERIES The concerto was composed in 1954 in Rio de Janeiro. It was commissioned by Felicja Blumental, to whom the score is dedicated, and who gave the first performance at the Royal Festival Hall in London on 8 May 1955, with the London...

La voix humaine (English: The Human Voice) is a forty-minute, one-act opera for soprano and orchestra composed by Francis Poulenc in 1958. The work is based on the play of the same name by Jean Cocteau, who, along with French soprano Denise Duval, worked...

Intimations of Immortality, Op. 29, an ode for tenor, chorus, and orchestra, is one of the best-known works by English composer Gerald Finzi. It is a setting of nine of the eleven stanzas (all but the seventh and eighth) of William Wordsworth's "Ode:...

REPRINT SERIES Amériques is an orchestral composition by Edgard Varèse, scored for a very large, romantic orchestra with additional percussion (for eleven performers) including sirens. Written between 1918 and 1921 and revised in 1927, it...

REPRINT SERIES Respighi's "Toccata" for Piano and Orchestra is in effect a continuous piano concerto, lasting about 25 minutes, that owes much to the composer's love of older Italian masters such as Vivaldi, Corelli and Marcello. The work has been...

A dazzling percussion concerto that requires advanced technique and musicality, from timpani to xylophone to small percussion instruments. This work is often taken up as a challenge for competitions.