REPRINT SERIES  Bacewicz’s Musica sinfonica in tre movimenti (IGB 21) was composed in 1965, dedicated to conductor Witold Rowicki, and premiered on 6 September 1965 by the Warsaw Philharmonic under his baton at the Stockholm Festival. The...

Villa-Lobos’s Descobrimento do Brasil (Discovery of Brazil) Suite No. 2 contains three movements: Impressão moura (Moorish Impression) – a rhythmically complex piece with modal harmonies and layered textures that evoke a stylized...

Villa-Lobos’s Descobrimento do Brasil (Discovery of Brazil) Suite No. 1 for Orchestra is a programmatic work that musically portrays the discovery of Brazil. Composed with a clear narrative in mind, the suite employs a series of contrasting...

Darius Milhaud's Agamemnon Op. 14 is an early dramatic work that engages with themes drawn from Greek tragedy. The piece reflects Milhaud’s initial exploration of modern compositional techniques, employing polytonal harmonies and clear rhythmic...

Bacewicz’s In Una Parte for Symphony Orchestra IGB 20 is a concise, single-movement work that employs modernist techniques typical of her later style. It is structured around clear rhythmic patterns and focused thematic development, with little...

REPRINT SERIES  Enescu’s Concert Overture, Op. 32 is a single-movement orchestral work that exemplifies his early mature style. The piece unfolds with a clear sense of drama and structure, offering a compact yet expressive narrative that...

REPRINT SERIES Grażyna Bacewicz’s Symphony No. 3 (1952) is a striking example of her neoclassical style, blending dynamic orchestration with structural clarity. Composed during a period of increasing Soviet influence in Polish music, the work...

Darius Milhaud's Cinéma-Fantaisie sur "Le Bœuf sur le toit", Op. 58b, is a vibrant and playful work for violin and orchestra, adapted from his earlier ballet Le Bœuf sur le toit , available here. This version maintains the...

Death and Transfiguration (Tod und Verklärung), Op. 24, is a symphonic poem composed by Richard Strauss between 1888 and 1889 and premiered in 1890. It portrays the final moments of an artist on his deathbed, reflecting on his life’s struggles...

REPRINT SERIES Ralph Vaughan Williams’ In Windsor Forest is a five-movement cantata for SATB choir and orchestra (or piano and strings), adapted from his opera Sir John in Love. Based on Shakespeare’s The Merry Wives of Windsor, the work...

Ravel's Rapsodie Espagnole is a vibrant orchestral work composed in 1907–1908, showcasing his deep fascination with Spanish music and rhythms. Although Ravel was French, his Basque heritage greatly influenced his affinity for Spanish sounds, which...

REPRINT SERIES Grażyna Bacewicz’s Concerto for Two Pianos and Orchestra (1966) is a vibrant and rhythmically dynamic work that blends neoclassicism with modernist elements. The two pianos engage in energetic interplay, sometimes cooperating and...

Ralph Vaughan Williams’ Three Portraits from The England of Elizabeth is a suite derived from his music for the 1955 documentary film The England of Elizabeth. This orchestral work, structured in three movements, captures the spirit and historical...

Richard Strauss's Four Last Songs, composed in 1948, represents the culmination of the composer’s career and a profound reflection on life and mortality. Scored for soprano and orchestra, these four songs—Frühling (Spring), September,...

Sibelius's Symphony No. 5 in E-flat major, Op. 82, was composed in 1915 and later revised in 1916 and 1919, reflecting the composer's continuous search for structural clarity and thematic cohesion. Commissioned for his 50th birthday celebrations, the...

We proudly present the newly engraved and revised version of Dmitri Shostakovich's Piano Concerto No. 1 in C minor, Op. 35, composed in 1933, is a vibrant and unconventional work for piano, trumpet, and string orchestra. It represents a blend of wit,...

Bruno Maderna's edition and revision of Antonio Vivaldi's Beatus Vir represents a compelling intersection of Baroque sensibilities and 20th-century musicological insight. Vivaldi's original composition, a grand psalm setting for choir, soloists, and...

“To orchestrate is like a thumbprint. I can’t understand having someone else do it. It would be like someone putting color to your paintings.” Musically precocious, Bernard Herrmann (b. 1911, New York City; d.1975, North Hollywood)...