Heitor Villa‑Lobos’s Vidapura (Missa Oratório), W155, was composed in 1919 as an expanded, orchestral version of his earlier organ‐accompanied Missa Oratória (W154) and premiered in November 1922 in Rio de Janeiro. Structured in...

Jacques Ibert’s Suite Élisabéthaine, composed in 1942 as incidental music for Le Songe d’une nuit d’été (Shakespeare’s A Midsummer Night’s Dream), was published in 1945 and is structured in nine...

Luigi Dallapiccola’s An Mathilde (1955) is a cantata for soprano and orchestra setting five German poems by Heinrich Heine drawn from Romanzero and Letzte Gedichte. Lasting about 15 minutes, the work unfolds as a continuous sequence of...

Sir Arthur Bliss’s Serenade for Baritone and Orchestra (F. 163), was composed in 1929 and first performed on 18 March 1930 at a London concert under the composer’s baton with baritone John Goss as soloist. The cycle lasts approximately 26...

REPRINT SERIES Ralph Vaughan Williams’s Six Choral Songs (To Be Sung in Time of War) was composed in 1940 as a response to the turmoil of the Second World War. Scored for unison voices (often treble or mixed children’s chorus) and orchestra,...

REPRINT SERIES  Ralph Vaughan Williams’s On Christmas Night is a one‐act masque co-created in 1926 with choreographer Adolph Bolm. Loosely drawing on Charles Dickens’s A Christmas Carol, it integrates singing, dancing and mime into a...

Darius Milhaud's Agamemnon Op. 14 is an early dramatic work that engages with themes drawn from Greek tragedy. The piece reflects Milhaud’s initial exploration of modern compositional techniques, employing polytonal harmonies and clear rhythmic...

Gerald Finzi’s orchestral setting of the Magnificat presents a measured, introspective interpretation of the biblical text, rendered through clear and refined orchestration. Unlike the more familiar organ version, this arrangement highlights the...

REPRINT SERIES Ralph Vaughan Williams’ In Windsor Forest is a five-movement cantata for SATB choir and orchestra (or piano and strings), adapted from his opera Sir John in Love. Based on Shakespeare’s The Merry Wives of Windsor, the work...

REPRINT SERIES Festival Te Deum for Mixed Chorus, Organ, and Orchestra is a stately and celebratory setting of the traditional Christian hymn of praise. Composed in 1937 for the coronation of King George VI, the work reflects Vaughan Williams's mastery...

REPRINT SERIES   Ralph Vaughan Williams' Magnificat, composed in 1932, is a fascinating and unconventional setting of the biblical text traditionally associated with the Virgin Mary's song of praise. Unlike many settings of the Magnificat, which...

Bruno Maderna's edition and revision of Antonio Vivaldi's Beatus Vir represents a compelling intersection of Baroque sensibilities and 20th-century musicological insight. Vivaldi's original composition, a grand psalm setting for choir, soloists, and...

REPRINT SERIES The text to both songs comes from one of Prokofiev's favorite poets, Konstantin Balmont. The two choruses in this set were entitled "The White Swan" and "The Wave." The former was premiered in 1910, with the composer conducting a...

REPRINT SERIESVaughan Williams often tended to focus on the composition of works in a specific genre at certain periods in his career. In 1913, for example, he wrote incidental scores to no less than seven plays (five by Shakespeare), and in 1920 he...

REPRINT SERIES Composed during the Second World War (most of it at a Budapest monastery) and completed in 1944, Missa Brevis was first performed in 1945, just after the end of the war, at the Budapest Opera House (where Kodály and his wife had...

Milhaud’s Service sacré  for baritone (cantor), narrator, mixed chorus and organ or orchestra is one of the few authentic masterpieces of twentieth century liturgical music. Composed in 1947 for San Francisco’s Temple Emanu-El, it...

REPRINT SERIES Chôros No. 10 ("Rasga o Coração") is a work for chorus and orchestra written in 1926 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled...

Intimations of Immortality, Op. 29, an ode for tenor, chorus, and orchestra, is one of the best-known works by English composer Gerald Finzi. It is a setting of nine of the eleven stanzas (all but the seventh and eighth) of William Wordsworth's "Ode:...