Maurice Ravel's La Valse, M.72, is a symphonic poem composed between 1919 and 1920, originally conceived as a ballet. The piece is a vivid and complex tribute to the Viennese waltz, though it evolves into a chaotic and almost nightmarish deconstruction...

REPRINT SERIES Sibelius' Tempest Suite No.1, Op. 109 No.2 is a richly atmospheric orchestral work drawn from his incidental music for Shakespeare’s The Tempest. This suite captures the mystical and dramatic elements of the play, with evocative...

Arthur Bliss's Piano Concerto in B-flat major was composed in 1938–1939 and premiered at the 1939 New York World’s Fair by pianist Solomon with the New York Philharmonic under Sir Adrian Boult. Commissioned by the British Council, the...

REPRINT SERIES Benjamin Arthur’s Two Jamaican Pieces for orchestra, comprising Jamaican Song and Jamaican Rumba, is a lively and colorful representation of Jamaican musical traditions. These pieces capture the rhythmic energy and melodic charm of...

Jean Sibelius composed the incidental music for Shakespeare's "The Tempest," Op. 109, between 1925 and 1926, marking one of his final major works before his retreat from public composition. Commissioned for a production at Copenhagen's Royal Theatre, the...

REPRINT SERIES Ralph Vaughan Williams’ In Windsor Forest is a five-movement cantata for SATB choir and orchestra (or piano and strings), adapted from his opera Sir John in Love. Based on Shakespeare’s The Merry Wives of Windsor, the work...

Bruno Maderna's "Composizione in tre tempi," composed in 1954, exemplifies his innovative approach to orchestral composition in the mid-20th century. Structured in three movements—"Allegro scorrevole," "Adagio," and "Allegro"—the piece...

Franz Waxman’s arrangement of Rimsky-Korsakov’s Flight of the Bumblebee for violin and orchestra is a thrilling virtuoso adaptation of the famous orchestral interlude from The Tale of Tsar Saltan. Retaining the piece’s signature...

REPRINT SERIES Sibelius' Suite No. 2, Op. 109 No. 3, "The Tempest", is part of his incidental music for Shakespeare’s play The Tempest, composed in 1925–1926. This second suite, distinct from the first, features a selection of movements that...

Stravinsky's Les Noces (1923) is presented here in our new 2025 Revised Edition. This groundbreaking ballet-cantata that captures the raw energy and ritualistic intensity of a Russian peasant wedding. Scored for four pianos, percussion, vocal soloists,...

Arthur Bliss’s Rhapsody for Soprano, Tenor, and Chamber Orchestra (F.161) was composed in 1919, early in his career when he was still exploring his unique voice. The work is a beautiful example of Bliss's ability to blend lyrical melodies with...

REPRINT SERIES Poulenc’s "Stabat Mater" (FP 148), composed in 1950, is a powerful and emotional choral work set to the traditional Latin hymn, "Stabat Mater Dolorosa." The piece was written in the aftermath of World War II, and its deeply...

Ravel’s Pavane pour une infante défunte ("Pavane for a Dead Princess") was originally composed for solo piano in 1899 but was later orchestrated in 1910, giving the piece a richer, more atmospheric quality. In the orchestral version, Ravel...

Five Fragments, Op. 42 is a suite for small orchestra composed on June 9, 1935, by Dmitri Shostakovich. It was the only work, apart from film music, that he composed that year. He approached it as preparatory work for the composition of the final version...

REPRINT SERIES Bloch's Concerto Symphonique for Piano and Orchestra, composed in 1932, is a dramatic and ambitious work that blends elements of symphonic grandeur with the virtuosic demands of the piano. The concerto reflects Bloch’s deep...

Ravel's Le Tombeau de Couperin Suite M.68a was originally composed as a piano suite between 1914 and 1917 and later transcribed for orchestra. The piece pays homage to the French Baroque composer François Couperin, blending Baroque dance forms...

REPRINT SERIES  Ravel's L'Aurore (The Dawn), composed in 1905, is a choral work for tenor, mixed chorus, and orchestra, originally created as part of his bid for the prestigious Prix de Rome. Set to a French text by Édouard Guinand, the...

Roberto Gerhard's Symphony No. 3, composed in 1960, is a striking example of his transition from late romanticism to more modernist, experimental approaches. The symphony was written during a period of personal and professional transformation for...