Gerald Finzi’s Two Milton Sonnets, Op. 12 (1926–28) sets John Milton’s Sonnet XIX (“When I consider how my light is spent”) and Sonnet XXX (“How soon hath Time”) for tenor (or soprano) with piano or small...

REPRINT SERIES  Ralph Vaughan Williams’s On Christmas Night is a one‐act masque co-created in 1926 with choreographer Adolph Bolm. Loosely drawing on Charles Dickens’s A Christmas Carol, it integrates singing, dancing and mime into a...

The Vertigo Suite was arranged by Bernard Herrmann himself. Drawing directly from his 1958 film score for Alfred Hitchcock’s Vertigo, Herrmann crafted the concert suite in the same year, selecting and shaping the principal themes into a unified...

Igor Stravinsky’s Four Preludes and Fugues (1969) are his final compositions, arranging four pairs from J. S. Bach’s Well-Tempered Clavier for chamber orchestra (BWV 851 & 852, 864 & 865, 870 & 871, 881 & 882). Each...

Heitor Villa-Lobos extracted Suite No. 4 “Descobrimento do Brasil” (W 380) in 1937 from his score for Humberto Mauro’s film of the same name, completing the cycle of four suites that portray Brazil’s early colonial history. he...

REPRINT SERIES  Sergei Prokofiev’s Andante, Op. 29bis is his own orchestration of the slow movement from Piano Sonata No. 4 in C minor, Op. 29, completed in 1934. The arrangement was first heard on February 13, 1958, in Leningrad under...

André Jolivet’s Cosmogonie is a standalone Prelude for Orchestra composed in 1938, derived from his earlier piano piece. The orchestral version lasts approximately 8 minutes and was first performed by the Orchestre Symphonique de France...

REPRINT SERIES  Drawing on Norwegian folk tunes, the piece opens with a lyrical, modal passage that transitions into an Allegretto featuring virtuoso figuration—double-stops, rapid string crossings and expressive portamento. Lalo balances the...

Composed in 1937 for Humberto Mauro’s film O Descobrimento do Brasil, Suite No. 3 (W 379) comprises three continuous movements—Impressão ibérica (11:15), Festa nas selvas (3:37), and Ulalocê (Visão dos navegantes)...

REPRINT SERIES  Bacewicz’s Musica sinfonica in tre movimenti (IGB 21) was composed in 1965, dedicated to conductor Witold Rowicki, and premiered on 6 September 1965 by the Warsaw Philharmonic under his baton at the Stockholm Festival. The...

Arthur Bliss’s Six Royal Fanfares were composed in 1960 for the wedding of H.R.H. Princess Margaret on May 6 at Westminster Abbey, capturing the ceremonial grandeur of the occasion through concise brass writing. Scored for three trumpets, three...

Villa-Lobos’s Descobrimento do Brasil (Discovery of Brazil) Suite No. 2 contains three movements: Impressão moura (Moorish Impression) – a rhythmically complex piece with modal harmonies and layered textures that evoke a stylized...

REPRINT SERIES  Kurt Weill’s “Tango Habanera” (often titled “Youkali”) originated in 1934 as an instrumental interlude for the stage play Marie Galante. The piece is cast as a true tango‑habanera, reflecting...

Arthur Bliss’s Pastoral: Lie Strewn the White Flocks, F.33, composed in 1928, is a choral-orchestral work lasting approximately 35 minutes. It is scored for SATB chorus, mezzo-soprano soloist, flute, timpani, and strings. The piece sets a sequence...

REPRINT SERIES Stravinsky’s Chant du Rossignol is a concise orchestral work that captures the delicate and spontaneous quality of the nightingale’s song. The piece is marked by clear, transparent textures and a careful attention to timbre,...

Poulenc’s Deux préludes posthumes et une gnossienne FP 104 is an orchestral work in which he reimagined pieces originally composed by Erik Satie. The arrangement retains the characteristic understatement and subtle wit of Satie’s music...

Villa-Lobos’s Descobrimento do Brasil (Discovery of Brazil) Suite No. 1 for Orchestra is a programmatic work that musically portrays the discovery of Brazil. Composed with a clear narrative in mind, the suite employs a series of contrasting...

REPRINT SERIES  Respighi’s La Boutique Fantasque is a one-act ballet that captures a whimsical and bustling scene through vibrant orchestration and clear, narrative musical gestures. The work unfolds in a single, continuous movement, where...