REPRINT SERIES George Enescu's Chamber Symphony, Op. 33 in E Major, composed in 1954, stands as one of the Romanian composer’s late masterpieces, encapsulating his unique fusion of lyrical expressiveness and complex polyphonic textures. Written...

Dmitri Shostakovich's "Tahiti-Trot," Op. 16, composed in 1927, is a delightful and whimsical orchestral suite that showcases the composer’s early satirical style. Written during a period when Shostakovich was navigating the complex political...

Waxman's "Humoresque" for Violin and Orchestra is a dazzling and emotionally rich piece that exemplifies the virtuosity and expressive potential of the violin. Composed by Franz Waxman in 1947, this work was originally part of the score for the film...

REPRINT SERIES   Ralph Vaughan Williams' Magnificat, composed in 1932, is a fascinating and unconventional setting of the biblical text traditionally associated with the Virgin Mary's song of praise. Unlike many settings of the Magnificat, which...

Luigi Dallapiccola’s Commiato (1972) is a masterful example of the composer’s late style, blending his deep engagement with serial techniques and his fascination with literary expression. Scored for soprano and a chamber ensemble of 15...

Irving Fine's Notturno for String Orchestra and Harp, composed in 1951, is a masterful work that blends elements of neoclassicism with a distinctly lyrical and emotional quality. The piece is characterized by its delicate textures and sophisticated...

Dmitri Shostakovich’s Suite No. 1 for Jazz Orchestra, often referred to as the Jazz Suite No. 1, is a lighthearted and vibrant composition that blends classical sophistication with elements of jazz and popular music. Written in 1934, the suite was...

Ralph Vaughan Williams’ Five Variants of Dives and Lazarus is a poignant and richly textured work for string orchestra and harp, composed in 1939. Drawing from the English folk melody “Dives and Lazarus,” which narrates the biblical...

Bruno Maderna's edition and revision of Antonio Vivaldi's Beatus Vir represents a compelling intersection of Baroque sensibilities and 20th-century musicological insight. Vivaldi's original composition, a grand psalm setting for choir, soloists, and...

Fritz Kreisler's Tambourin Chinois, Op. 3, is a virtuosic showpiece for violin and orchestra that encapsulates exoticism, playfulness, and technical brilliance. Composed in 1910, the piece reflects the Western fascination with Asian culture prevalent at...

REPRINT SERIES Ottorino Respighi's Burlesca for Orchestra, P. 59, composed in 1906, is an exuberant and vibrant work that exemplifies the composer's early exploration of orchestral color and rhythm. Written during a period when Respighi was refining his...

The Symphony in E minor is the first symphony written by the American composer Florence Price. The work was completed in 1932 and was Price's first full-scale orchestral composition and the first symphony by a Black woman to be performed by a major...

Partita is the work with which Dallapiccola first came to international recognition. Written in memory of the Italian pianist Ernesto Consolo, it is scored in four movements for orchestra, with a soprano solo in the final movement. In a manner analogous...

“To orchestrate is like a thumbprint. I can’t understand having someone else do it. It would be like someone putting color to your paintings.” Musically precocious, Bernard Herrmann (b. 1911, New York City; d.1975, North Hollywood)...

REPRINT SERIES  The Piano Concerto was written in 1949 for the Fryderyk Chopin Competition organised by the Polish Composers’ Union to mark the 100th anniversary of the Polish genius’ death. However, it is no use looking for any...

i) Fanfare to precede the National Anthem in G ii) The right of the Line iii) Fanfare for Princess Anne iv) High Sheriff's Fanfare v) A Salute to painting vi) Research Fanfare vii) Peace Fanfare for children viii) Let the People Sing

Vaughan Williams composed three Norfolk Rhapsodies in 1905 and 1906, basing them on folk tunes he had collected around the Wash. But only the first of them has remained in the repertory, relished as one of the composer's fondest and most ravishing...

REPRINT SERIES With a rumble of timpani and raw strokes of open strings, the Overture begins with a blazing Allegro. The strings take off in running figures punctuated by brass blasts and woodwind interjections. Even when the orchestra suddenly drops...