Cassazione, Op. 6, is an orchestral composition by Jean Sibelius, composed in 1904 for the programme that introduced his Violin Concerto. Its title refers to the cassation, a genre similar to the serenade, which was popular in the late 18th century...

REPRINT SERIES First published as Op. 19, No. 2 (one of a set of four piano pieces), it was used as incidental music for a play in 1922, and eventually arranged by the composer for organ and orchestra. Cortège consists simply of an opening...

REPRINT SERIES  As admirers of Kodály are aware, the composer was well known for his work in ethnomusicology. The Peacock Variations falls into this vast realm of the composer's output, using a melody that has Hungarian and possibly Mari...

Finzi, who constantly revised his own work, could not bring himself to rest contentedly with the outer movements of his Violin Concerto. However, the central section became established during the composer’s lifetime as a piece in its own right. It...

REPRINT SERIES Ballade for Alto Saxophone and Piano was composed in 1938 by the French composer Henri Tomasi (1901-1971). Introduced by a poem by Suzanne Mallard, his wife, Ballade is a 15-minute work that covers and alternates between different styles...

REPRINT SERIES Finzi's Prelude for String Orchestra Op.25, was originally conceived in the 1920s as the opening movement of a (subsequently uncompleted) chamber symphony, to be entitled The Bud, the Blossom and the Berry, the Prelude nevertheless stands...

The last phase of Finzi’s output following the 2nd World War saw a series of larger scale works culminating in the completion of the Cello Concerto, the work which dominated his final year and was first broadcast on the night before his death in...

REPRINT SERIES   After he departed the Soviet Union in 1918, Sergei Prokofiev (1891 - 1953) spent a fair amount of time in the U.S. concertizing. On one such tour in 1930, the Library of Congress commissioned him to compose a string quartet; the...

REPRINT SERIES This concerto came about because of Szymanowski’s long-standing partnership with the legendary violinist Paweł Kochański, who’d previously collaborated with him on his D Minor Violin Sonata and then on his first Violin...

The Interlude for oboe and strings was composed during the mid 1930s, originally for string quartet; later Finzi created an expanded instrumentation for string orchestra as an alternative. It is a 13-minute work of considerable substance,...

REPRINT SERIES Ionisation (1929–1931) is a musical composition by Edgard Varèse written for thirteen percussionists. It was among the first concert hall compositions for percussion ensemble alone, although Alexander Tcherepnin had composed...

REPRINT SERIES Henri Tomasi was a French composer and conductor.  Tomasi was born in Marseille, where his parents had moved from Corsica.  Most of his musical training took place in the conservatories of Marseille and Paris.  His...

The Pulcinella Suite, derived from the ballet, was written in 1922 and has no vocal parts. Pulcinella marked the beginning of Stravinsky's second phase as a composer, his neoclassical period. The suite consists of eight...

REPRINT SERIES In 1940, at the suggestion of his publisher and agent, Heinsheimer, Bartók orchestrated his Sonata for Two Pianos and Percussion as Concerto for Two Pianos, Percussion and Orchestra. The parts for the four soloists were essentially...

REPRINT SERIES The Concerto for Piano and Wind Instruments was written by Igor Stravinsky in Paris in 1923–24. This work was revised in 1950.  It was composed four years after the Symphonies of Wind Instruments, which he wrote upon his...