Heitor Villa-Lobos extracted Suite No. 4 “Descobrimento do Brasil” (W 380) in 1937 from his score for Humberto Mauro’s film of the same name, completing the cycle of four suites that portray Brazil’s early colonial history. he...

Composed in 1937 for Humberto Mauro’s film O Descobrimento do Brasil, Suite No. 3 (W 379) comprises three continuous movements—Impressão ibérica (11:15), Festa nas selvas (3:37), and Ulalocê (Visão dos navegantes)...

Villa-Lobos’s Descobrimento do Brasil (Discovery of Brazil) Suite No. 2 contains three movements: Impressão moura (Moorish Impression) – a rhythmically complex piece with modal harmonies and layered textures that evoke a stylized...

Villa-Lobos’s Descobrimento do Brasil (Discovery of Brazil) Suite No. 1 for Orchestra is a programmatic work that musically portrays the discovery of Brazil. Composed with a clear narrative in mind, the suite employs a series of contrasting...

REPRINT SERIES Heitor Villa-Lobos' Mômoprecóce for Piano and Orchestra (1929) is a vivid celebration of Brazilian Carnival. The work captures the festive, mischievous spirit of the event through a dazzling piano solo and a vibrant...

REPRINT SERIES  Villa-Lobos own transcription from Bach's "The Well-Tempered Clavier" for Orchestra of Cellos. It includes the following movements: Prelude XXIIFugue VPrelude XIVFugue IPrelude XIIIFugue VIIIFugue XXI  

 Alvorada na floresta tropical W513 was commissioned by the Louisville Orchestra and written in 1953. In form it is an overture whose performances take eight to eleven minutes.Its form is predictable, though the music itself is anything but. Hushed...

In 1955, Heitor Villa-Lobos was commissioned by John Sebastian to write a harmonica concerto, and the piece was premiered in in Jerusalem on October 27, 1959, a month before Villa's death. Villa-Lobos was one of a number of eminent composers...

Villa-Lobos composed his Ninth Symphony in Rio de Janeiro in 1952. It was first performed by the Philadelphia Orchestra, conducted by Eugene Ormandy. The score is dedicated to Mindinha (Arminda Neves d'Almeida), the composer's companion for the last 23...

REPRINT SERIES Composed in 1913, this Suite for Strings is divided in 3 movements: 1. Tímida: Poco andante2. Misteriosa: Andantino3. Inquieta (Air de ballet): Poco allegretto Its expressive content and moderate technical demands make it...

REPRINT SERIES Chôros No. 10 ("Rasga o Coração") is a work for chorus and orchestra written in 1926 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled...

REPRINT SERIES The concerto was composed in 1954 in Rio de Janeiro. It was commissioned by Felicja Blumental, to whom the score is dedicated, and who gave the first performance at the Royal Festival Hall in London on 8 May 1955, with the London...

REPRINT SERIES Chôros No. 8 was composed in Rio de Janeiro in 1925, and the score is dedicated to the pianist Tomás Terán. It was premiered in Paris on 24 October 1927, at the Salle Gaveau, with the composer conducting the Orchestra...

REPRINT SERIES This Bachiana was dedicated to Villa-Lobos' superior, Minister of Education Gustavo Capanema. It is the one that comes closest to the exuberant contrapuntal density of the Choros series. At over 25 minutes, it is the longest Bachiana, and...

REPRINT SERIES The full title of this late piece by Villa-Lobos (1887-1959) is Fantasia Concertante for Orchestra of Violoncellos. Composed in 1958, it was recorded in the same year in NYC on November 30, 1958. Villa-Lobos conducted the Violoncello...

The tone poem/ballet Amazonas, composed originally for orchestra and published in 1917, was transcribed for piano by Villa-Lobos himself and published in a new version in 1932. Like Uirapuru, Amazonas subtitled “Brazilian Indian ballet” first...

REPRINT SERIES Chôros No. 6 is an orchestral work written between 1925 and 1942 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar...