REPRINT SERIES Dies Natalis is a cantata for solo voice and string orchestra. The opening introductory orchestral movement is followed by four movements for accompanied voice in which Finzi set mystical texts by the seventeenth-century English poet...

8 miniatures: I. Andantino = 76 II. Vivace = 126 (orig. No.7) attacca III. Lento = 63 (orig. No.6) IV. Allegretto = 126 (orig. No.3) V. Moderato alla breve = 84-88 (orig. No.5) VI. Tempo di Marcia [no marks] (orig. No.2) VII. Larghetto = 68-69 (orig. No...

In 1919 the premiere of Le Bestiaire on poems by Guillaume Apollinaire (with Suzanne Peignot, friend and first interpreter of the composer’s mélodies). 6 movements: I. Le dromadaire II. Le chèvre du Thibet III. La sauterelle IV...

REPRINT SERIES The Gong on the Hook and Ladder or Firemen's Parade on Main Street, is a short composition by American composer Charles Ives. This revised orchestrated version premiered in 1934 and is scored for a chamber orchestra, consisting of a flute,...

REPRINT SERIES About half of Praeludium was composed in Paris, the remainder having been worked out during one of Stravinsky's trips to the United States in early 1937. With a work as concise and polished as this one, however, it is difficult to discern...

Perhaps one of Finzi's finest compositions, this pacifist masterpiece is all too rarely performed. The beautiful music, scored for tenor and small orchestra, was composed over a span of about 20 years from the 1920s to 1944, as memories and realities...

REPRINT SERIES Litanies à la Vierge noire (French pronunciation: ​[litani a la vjɛʁʒ nwɑʁ]; "Litany to the Black Virgin"), FP 82, is a piece of sacred music composed by Francis Poulenc in 1936 for a three-part choir of women (or children) and...

REPRINT SERIES Prokofiev wrote his Symphony No. 2 in D minor, Op. 40, in Paris in 1924-25, during what he called "nine months of frenzied toil". He characterized this symphony as a work of "iron and steel". Prokofiev modeled the symphony's structure on...

Highly passionate in character and rich in its melodic invention, Finzi’s writing here is characteristically open-hearted and approachable. From the stillness of the opening, the music unfolds, reaching a peak of intensity before returning to its...

Finzi, who constantly revised his own work, could not bring himself to rest contentedly with the outer movements of his Violin Concerto. However, the central section became established during the composer’s lifetime as a piece in its own right. It...

REPRINT SERIES   After he departed the Soviet Union in 1918, Sergei Prokofiev (1891 - 1953) spent a fair amount of time in the U.S. concertizing. On one such tour in 1930, the Library of Congress commissioned him to compose a string quartet; the...

The Interlude for oboe and strings was composed during the mid 1930s, originally for string quartet; later Finzi created an expanded instrumentation for string orchestra as an alternative. It is a 13-minute work of considerable substance,...

REPRINT SERIES Ionisation (1929–1931) is a musical composition by Edgard Varèse written for thirteen percussionists. It was among the first concert hall compositions for percussion ensemble alone, although Alexander Tcherepnin had composed...

REPRINT SERIES Ottorino Respighi’s hour-long Sinfonia drammatica, which he completed just before the First World War broke out, appears to anticipate the impending tragedy. The brilliantly orchestrated composition (with six horns, four percussion,...

This spiky neo-Classical Concerto for Harpsichord defies everyone's expectations. Most listeners anticipate the Impressionism of Falla's Nights in the Gardens of Spain or the Romantic Spanish color of The Three-Cornered Hat. Harpsichordist Wanda...

4.4.4.3.2 for EZ-2317

Score and Set of Parts (String count 4.4.3.3.2) This work is clearly an homage to Bach, specifically to his Concerto for Two Violins in D Minor, a composition Vaughan Williams deeply loved and admired. The concerto is cast in three movements, with the...

Score and Set of Parts (5.5.4.4.3) Bachianas Brasileiras No. 9 is the only one that does not have double titles (one title based on classical music forms and the other relating to Brazil in some manner). This 10 minute work is in quintessentially Bachian...