Benjamin Britten composed his Two Portraits for string orchestra in 1930, at the age of sixteen, during the summer between leaving Gresham's School and beginning his studies at the Royal College of Music. The first portrait, marked Poco presto, depicts...

Dmitri Shostakovich composed his Symphony No. 6 in B minor, Op. 54, in 1939, completing it that September and premiering it in Leningrad that November under Yevgeny Mravinsky and the Leningrad Philharmonic Orchestra. It followed the triumphant Fifth...

Benjamin Britten’s Passacaglia, Op. 33b, is an orchestral interlude drawn from Act II of his opera Peter Grimes, Op. 33. Britten extracted it as an independent concert work shortly after the opera’s 1945 premiere, creating a companion piece...

Leroy Anderson’s A Christmas Festival for Wind Band is the composer’s own concert band version of his popular Christmas overture, originally written for the Boston Pops Orchestra at the request of Arthur Fiedler in 1950. Anderson later...

Benjamin Britten’s Piano Concerto, Op. 13, was composed in 1938 and revised in 1945, as presented here. Britten wrote the concerto for himself to play at a Promenade Concert in 1938. The original version included a slow movement titled...

Benjamin Britten’s Nocturne, Op. 60, was composed in August–September 1958 for tenor voice, seven obbligato instruments, and string orchestra. It lasts about 25 minutes, and its first performance was given on 16 October 1958 at Leeds Town...

Benjamin Britten’s Serenade for Tenor, Horn and Strings, Op. 31, was composed in 1943 for tenor, solo horn, and string orchestra and it is one of his most distinctive early wartime works. The work was written for Peter Pears and Dennis Brain, and...

Benjamin Britten’s Scottish Ballad, Op. 26, is a concertante work for two pianos and orchestra composed in 1941. Britten wrote it for the piano-duet team Ethel Bartlett and Rae Robertson, and the piece belongs to his wartime output of compact,...

Frank Martin’s Concerto for seven wind instruments, timpani, percussion and string orchestra, IFM 6, was composed in 1949 at the request of the Bernische Musikgesellschaft.  The work is cast in three movements — Allegro, Adagietto, and...

Frank Martin’s Petite symphonie concertante, was composed in 1944–45, on a commission from Paul Sacher, and became one of Martin’s best-known works. The original version is scored for harp, harpsichord, piano, and two string orchestras,...

Benjamin Britten’s Prelude and Fugue, Op. 29, was composed in 1943 for 18-part string orchestra, and it was written to commemorate the tenth anniversary of the Boyd Neel Orchestra. It lasts about nine minutes and is a compact two-part work built...

Benjamin Britten’s Four Sea Interludes, Op. 33a, is a concert suite extracted from his opera Peter Grimes, first performed in 1945. Britten selected four orchestral interludes from the opera and arranged them as a self-contained work for the...

Sibelius’s Suite for Violin and String Orchestra, JS 185, is a three-movement work composed in 1929 and often published as Op. 117. Its movements are Country Scenery (Allegretto), Serenade: Evening in Spring (Andantino), and In the Summer (Vivace)...

Benjamin Britten composed Soirées musicales, Op. 9, in 1935–36, drawing on melodies by Gioachino Rossini, particularly from Rossini’s vocal collection Soirées musicales of the 1830s. The suite grew out of incidental music...

Benjamin Britten’s Spring Symphony, Op. 44, was composed in 1948–49 on commission from the Boston Symphony Orchestra. Britten described it as “a symphony not only dealing with the Spring itself but with the progress of Winter to Spring...

Benjamin Britten’s Sinfonia da Requiem, Op. 20, was composed in 1939–40 to a commission from the Japanese government for the 2,600th anniversary of the imperial line; the Japanese authorities rejected the finished score because of its use of...

Walter Piston’s The Incredible Flutist is a one-act ballet composed in 1938 with a libretto by Piston and Hans Wiener; it is his only work for the stage and was premiered by the Boston Pops under Arthur Fiedler on 30 May 1938. The work paints a...

The Young Person’s Guide to the Orchestra, Op. 34 (subtitle Variations and Fugue on a Theme of Purcell) was written by Benjamin Britten in 1945 for a British Ministry of Education film, Instruments of the Orchestra; the film version (with narration...