Benjamin Britten’s Nocturne, Op. 60, was composed in August–September 1958 for tenor voice, seven obbligato instruments, and string orchestra. It lasts about 25 minutes, and its first performance was given on 16 October 1958 at Leeds Town...

Benjamin Britten’s Serenade for Tenor, Horn and Strings, Op. 31, was composed in 1943 for tenor, solo horn, and string orchestra and it is one of his most distinctive early wartime works. The work was written for Peter Pears and Dennis Brain, and...

Benjamin Britten’s Scottish Ballad, Op. 26, is a concertante work for two pianos and orchestra composed in 1941. Britten wrote it for the piano-duet team Ethel Bartlett and Rae Robertson, and the piece belongs to his wartime output of compact,...

Frank Martin’s Concerto for seven wind instruments, timpani, percussion and string orchestra, IFM 6, was composed in 1949 at the request of the Bernische Musikgesellschaft.  The work is cast in three movements — Allegro, Adagietto, and...

Frank Martin’s Petite symphonie concertante, was composed in 1944–45, on a commission from Paul Sacher, and became one of Martin’s best-known works. The original version is scored for harp, harpsichord, piano, and two string orchestras,...

Benjamin Britten’s Prelude and Fugue, Op. 29, was composed in 1943 for 18-part string orchestra, and it was written to commemorate the tenth anniversary of the Boyd Neel Orchestra. It lasts about nine minutes and is a compact two-part work built...

Benjamin Britten’s Four Sea Interludes, Op. 33a, is a concert suite extracted from his opera Peter Grimes, first performed in 1945. Britten selected four orchestral interludes from the opera and arranged them as a self-contained work for the...

Sibelius’s Suite for Violin and String Orchestra, JS 185, is a three-movement work composed in 1929 and often published as Op. 117. Its movements are Country Scenery (Allegretto), Serenade: Evening in Spring (Andantino), and In the Summer (Vivace)...

Benjamin Britten composed Soirées musicales, Op. 9, in 1935–36, drawing on melodies by Gioachino Rossini, particularly from Rossini’s vocal collection Soirées musicales of the 1830s. The suite grew out of incidental music...

Benjamin Britten’s Spring Symphony, Op. 44, was composed in 1948–49 on commission from the Boston Symphony Orchestra. Britten described it as “a symphony not only dealing with the Spring itself but with the progress of Winter to Spring...

Benjamin Britten’s Sinfonia da Requiem, Op. 20, was composed in 1939–40 to a commission from the Japanese government for the 2,600th anniversary of the imperial line; the Japanese authorities rejected the finished score because of its use of...

Walter Piston’s The Incredible Flutist is a one-act ballet composed in 1938 with a libretto by Piston and Hans Wiener; it is his only work for the stage and was premiered by the Boston Pops under Arthur Fiedler on 30 May 1938. The work paints a...

The Young Person’s Guide to the Orchestra, Op. 34 (subtitle Variations and Fugue on a Theme of Purcell) was written by Benjamin Britten in 1945 for a British Ministry of Education film, Instruments of the Orchestra; the film version (with narration...

Benjamin Britten’s War Requiem, Op. 66 (composed 1961–62), is a large-scale choral-orchestral work written for the consecration of the new Coventry Cathedral and intended as a musical act of remembrance and reconciliation. Britten interweaves...

“The Typewriter” is a novelty orchestral showpiece completed on 9 October 1950; Anderson scored it for full orchestra with a real typewriter used as a solo percussion instrument (three principal sounds: typing, the carriage return bell, and...

Dmitri Shostakovich’s Symphony No. 11 in G minor, Op. 103, subtitled The Year 1905, was composed in 1957 and premiered in Moscow on 30 October 1957 by the USSR State Symphony Orchestra under Natan Rakhlin (the Leningrad premiere followed on 3...

Dmitri Shostakovich’s Symphony No. 5 in D minor, Op. 47, was composed in 1937 (April–July) as a public response to the cultural condemnation he had suffered that year; it premiered on 21 November 1937 in Leningrad with Yevgeny Mravinsky and...

Benjamin Britten’s Symphony for Cello and Orchestra, Op. 68, was composed in 1963 and dedicated to Mstislav Rostropovich, who gave the premiere with Britten conducting the Moscow Philharmonic on 12 March 1964. The work’s title reflects...